Interculturality: Creating Spaces for
a Dialogue Among Nations
Introduction
Over the last few years, Ministers of the International Network
on Cultural Policy (INCP) have expressed their interest in the concept
of interculturality. Interculturality was first identified as an
important emerging issue during the course of the Fifth Annual Ministerial
Meeting of the INCP held in Cape Town, South Africa in 2002, where
Ministers agreed that the topic at hand was one which needed to
be explored further. The Liaison Bureau prepared a short overview
of the concept of interculturality, which was presented at the last
Annual Ministerial Meeting held in Opatija in October 20031.
At that time, INCP Ministers reconfirmed their interest in further
exploring the topic.
Further exploration and discussion of this concept comes at a very
relevant time given the thematic of the 2004 Human Development
Report by the United Nations Development Programme(UNDP) which
focuses on Cultural Liberty in Today's Diverse World. The
report indeed highlights how governments across the globe are faced
with the challenge of developing public policy, which aims to build
vibrant, creative and exciting societies that feature social cohesion
and inclusion within the context of growing cultural diversity.
What Does the Term Interculturality Imply?
While the definition continues to evolve, consensus has emerged
among some cultural experts and academics to define interculturality
as the interaction, exchange and communication between
cultures where the individual recognizes and accepts the reciprocity
of the other's culture 2.
This definition takes the concept of multiculturalism one step further.
Cultural experts and academics have described multiculturalism
as a mechanism of principles and policies that have, up to now,
focused on: 1) state recognition of cultural plurality, which exists
at the heart of a society; 2) the reduction of obstacles that hinder
the social participation of marginalized cultural groups; and, 3)
the support for the reproduction of cultures. Numerous governments
worldwide have applied the principles of multiculturalism in the
development of their respective cultural policies with the aim of
ensuring the development and safeguarding of cultural diversity
within their borders. However, while there is agreement that multiculturalism
does take into account new cultures within a given society, some
scholars have recently set forth the argument that it does not provide
for the creation of real bridges between the host or "norm"
cultures and the new cultures entering or existing within that society
3.
In contrast, the concept of interculturality sets forth the notion
that one must go further than identifying and safeguarding every
culture in isolation, as this is not enough to bring about true
social cohesion. Interculturality evokes the interaction between
cultures, exchanges and communication where the individual recognizes
and accepts the reciprocity of the other's culture. Furthermore,
the tenets of interculturality set forth the notion that "spaces"
need to be created where cultures can not only co-exist but also
can also interact and come to know each other within a society.
In essence, the intercultural approach promulgates the view that
cultural diversity does not threaten but rather, enriches the social
fabric of a society 4.
It is important to note however, that interculturality
does not discount the concept of multiculturalism, as this one remains
an important and valid guiding principle for the development of
cultural policy. Rather, this concept adds to that of multiculturalism.
Case Study: "Projet Culture de Quartier"
One concrete example of an initiative which creates "spaces"
to allow cultures to co-exist and interact with one another is the
project "Culture de quartier" (Culture in the Neighbourhood),
which was launched and coordinated by the Swiss National Commission
for UNESCO within the context of the UNESCO's International Decade
on Cultural Development (1988-1997) 5.
Originally conceived as a series of annual meetings of experts
held in Switzerland, Austria, Finland Sweden, Germany, Estonia,
France and Burkina Faso, the project was, because of its unique
and outstanding potential, extended beyond the decade. Over the
last few years, it has grown into an Afro-European interaction project
currently consisting of four partnerships between cities in African
and European member states of UNESCO, namely: Ouagadougou (Burkina
Faso) and Geneva (Switzerland); Yaounde (Cameroon) and Strasbourg
(France); Maputu (Mozambique) and Vienna (Austria); and Windhoek
(Namibia) and Vantaa (Finland).
The main objectives of the project focus on "the promotion
of cultural activities performed by the inhabitants of a neighbourhood
for the inhabitants of (another) neighbourhood on themes directly
related to their lives in order to drive them closer and thus reinforce
their belonging to the place they live in and its social entity".
The project incorporates the tenets of interculturality as it seeks
to increase mutual understanding between people of different cultures
and ethnic background throughout the course of their everyday lives.
The methodology applied consists in the partner cities adopting
a theme and defining a cultural project. While the same features
are maintained for both partners, implementation procedures may
vary according to local situations and interests. Once the project
has been defined, it is implemented in the neighbourhoods of both
African and European cities simultaneously. As the project is co-ordinated
by a Local Project Group consisting of local authorities, field
operators, specialists and local people, it allows individuals to
come to know each other and become more active in their community
7.
This project has been very successful in its
implementation, namely, within the context of the Ouagadougou
-Geneva Partnership and Yaounde- Strasbourg Partnership
(see text boxes).
Ouagadougou -Geneva Partnership
- The Culture in the Neighbourhood Dassagho Association was
created in January 1998 to develop and implement neighbourhood
projects. This Association comprises 600 members, all inhabitants
of the neighbourhood
- About 100 children from Dassasgho and Saint-Jean/La Jonction
correspond with each other and exchange school newspapers.
- In Geneva politicians have agreed to subsidize a media-library
where cultural events, public lectures and art-exhibitions will
be held, thereby allowing the inhabitants to build and share the
living memories of their neighbourhood.
- Etienne Minoungou, the animator of bthe theatre group in
Dassadho, stayed two weeks in Geneva where he worked with the
theatre group of Saint-Jean /La Jonction and was invited to several
schools to tell African tales and to answer the children's questions
about life in Africa
Note: http://www.unesco.org/culture/pluralism/neighbourhood/html_eng/geneva.shtml
As noted in UNESCO's report, "From Diversity to
Pluralism: Culture in the Neighbourhood", through
its promotion of intercultural dialogue and partnerships, the project
aims to:
- help adjust traditional identities, roles of women
and the family to the social structures and cultural frameworks
of modern democratic societies;
- solve cultural conflicts between the traditional and
contemporary reality
by creating active and communicative interaction between children,
parents
and the surrounding communities and institutions;
- prevent the drop out of children and youngsters by
providing them with new possibilities and instruments to realize
their cultural and physical potential; prevent the loss of young
educated talents and children's natural creativity
by increasing new jobs for young artists,
creating new models for art education
and improving the relationship between
schools and other actors in the
neighbourhood.
Yaounde- StrasbourgPartnership
- A cultural visit over a 2-month period
was organized for one of the leading artists of Yaounde, Pascal
Kemfack, to Strasbourg, France in the first half of 1999. This
visit has allowed the painter and sculptor to discover the work
of his collegues in France and to share with them his experiences
in Cameroon.
- A dance workshop in the Mvo-Ada neighbourhood has produced
an educational show entitled "Ezezam" about drugs and
violence among young people in the neighbourhoods of Yaoundé.
This production will be performed later at the National Festival
of the Arts and Culture, the Market of the African Performing
Arts in Abidjan and the Meeting of the Heads of State of Central
Africa in Yaoundé
- In various districts of Yaounde and Douala, Cameroon, workshops
for plastic arts, dance, cinema and theatre are being opened.
Note:
http://www.unesco.org/culture/pluralism/neighbourhood/html_eng/strasbourg.shtml
Issues for Ministerial Discussion
As noted in the UNDP's Human Development Report 2004, "Cultural
liberty in today's diverse world", managing cultural diversity
is one of the central challenges of our time and projects such as
the Culture in the Neighbourhood, based on the
principles of interculturality, are but one example of how governments
work to provide spaces for the diverse cultures within their borders
to
interchange and interact. With this in mind, below
are questions aimed at facilitating a ministerial
discussion:
- In what way have your respective countries moved forward on
developing ways to enable intercultural dialogue between the various
cultures existing within your societies?
- What are some of the challenges you have encountered in trying
to bring policies based on the principles of interculturality
to the forefront?
Possible Next Steps
- Gathering of examples of successful experiences in policy development
surrounding the theme of interculturality (or culture as a tool
to increase social cohesion).
- The creation of an INCP Working Group or Special Research Team
to pursue further research on this concept.
- Further independent national research on the concept, which
INCP members will then share with the rest of the Network.
Sources
Culture and UNESCO: www.unesco.org/culture/pluralism/neighbourhood/html_eng/index_en.shtml
Kalscheuer, B. & Allolio-Nacke, L. "Why does the current
debate on Interculturality Prevent the Development of Intercultural
Communication?: A Critical Note on the Interculturality Discourse",
http://sietarcongress.wu-wien.ac.at/docs/T6_Kalscheuer.pdf.
UNDP, 2004 Human Development Report, Cultural Liberty in Today's
Diverse World: http://hdr.undp.org/reports/global/2004/
1 The paper, "Interculturality
:Moving Towards a Dialogue Among Nations", prepared by the
INCP Liaison Bureau in 2003 is attached as background document.
2 INCP, "New and Emerging
Issues: Concept of Interculturality and the Creation of Cultural
Observatories, 2003", Cape Town, South Africa 2002.
3 Some have come to argue that multiculturalism
is the addition of different cultural particularities without a
real coherence between the parts of a highly fragmented whole.
4 Kalscheuer, B. & Allolio-Nacke,
L. "Why does the current debate on Interculturality Prevent
the Development of Intercultural Communication?: A Critical Note
on the Interculturality Discourse", http://sietarcongress.wu-wien.ac.at/docs/T6_Kalscheuer.pdf
5 Other examples of initiatives
that create "spaces" allowing cultures to co-exist and
interact including the "Culture and Neighbourhoods Project"
created by the Council of Europe and the Council for Cultural Cooperation.
The Project which was directed by Eduardo Delgado and includes among
others, the participation of cities like Athens (Greece), Barcelona
(Spain), Berlin (Germany), Budapest (Hungary, Copenhagen (Denmark),
Lisbon (Portugal), Liverpool (United Kingdom) and Villeurbanne (France).
Further information on this project can be found at:
http://www.coe.int/T/E/Cultural_Co-operation/culture/Completed_projects/Neighbourhoods/_Summary.asp#TopOfPage
6 Culture and UNESCO : www.unesco.org/culture/pluralism/neighbourhood/html_emg/index_en.shtml
7 ibid
8 Culture and UNESCO: www.unesco.org/culture/pluralism/neighbourhood/html_emg/index_en.shtml
9 UNDP, Human Development Report,
"Cultural Liberty in Today's Diverse World": http://hdr.undp.org/reports/global/2004/
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